The
Sinyx formed in the Summer of 1979 and played their first gig at the Focus
Youth Centre in early 1980. The bands first line up consisted of Alien
on Vocals, Paul Brunt on Guitar, Auntie on Bass and Vints on Drums. The
bands name was based on the name of the ancient Greek movement of anti-societal
rebels 'The Cynics'. They quickly attracted a fervent local following
amongst the regions Punks and Skins, and began playing concerts further
afield with groups sharing a similar outlook, including the Epileptics
/ Flux of Pink Indians, The Eratics and local band The Icons.
A seven-song demo tape was recorded on the 01.03.80 at the Elephant Recording
Studios, Wapping, with tracks drawn from their current set, consisting
of '9-5 Auschwitz', 'Bullwood Hall', 'Therapy Through Violence', 'Camouflage',
'Britain is a Mausoleum', 'Mark of the Beast' and 'Automaton'. Crass chose
one of the tracks - 'Mark of the Beast' - for inclusion on a compilation
of Punk bands called 'Bullshit Detector Volume One' which was released
that same year on their label. Also that year, a second demo was recorded
by the band on the 06.09.80, but was never released - Recorded at the
Lower Wapping Conker Company in London, Barry Martin was at the control
desk, and they recorded four songs: 'Suicide', 'Britain is a Mausoleum',
'Decadence' and 'Animal'.
"I
am not an animal, why treat me like an animal?, why try to make my life
small?, I am not an animal, The only animal round here is you, uncivilised
in all you do, like a dog you try to train me, ideal pet I will not be."
'Animal'.
Following the release
of ''Bullshit Detector Volume One', the band embarked upon a period of
solid gigging, but all was not well in the Sinyx camp, and in late 1980,
a reshuffle of the band personnel occurred. Alien continued singing, whilst
Auntie switched to Drums, and new members Filf and John Edwards (both
ex-Icons) joined on Guitar and Bass respectively. This line up quickly
established a newer, slowed down and more intense sound and set about
writing new material, such as 'Fight', 'Nausea' and 'Excommunication'.
The band recorded two different practice sessions at their regular studio
- the infamous Daves (used by just about every key local punk band of
the era!) - and thus the session from 22.02.81 was released on Blot Tapes,
containing the tracks 'Britain is a Mausoleum', 'Therapy Through Violence',
'Excommunication' and 'Camouflage'. The session from 10.05.81 was released
on New Crimes Tapes ('New Criminals Volume One') run by Graham Burnett,
and contained 'Animal', 'Suicide' and 'Fight'. The band often organised
their own gigs and played many concerts in and around London and the South-East
during this period, and later in 1981 the band went into Spectrum Studios
in Southend and recorded four tracks for what would later be released
as 'The Black Death ep' on the Reality Attack label.
"Bring
those with no mind and throw them on the cart, the dregs of mankind the
people with no heart, the plague is here but we have nothing to fear Bring
Out The Dead...".'The Plague'.
The
tracks were 'Decadence', 'The Plague','Animal' and 'Zulu'. The record
did well in the Indie / Punk charts and consolidated the Sinyx';s growing
position within Punk circles. Upon its release however, the band, repeating
a familiar pattern, had another line up change. Alien remained on vocals,
and Auntie, the other Sinyx co-founder, switched to Guitar. John Edwards
moved on to Second Guitar, and new members Andy Whiting played Bass, and
Steve Pegrum (of the Kronstadt Uprising) played Drums. With an intense
period of rehearsing the old set and writing new numbers occupying the
first couple of months of 1982, from March 1982 onwards the band set about
gigging with a renewed fervour and their best sounding set to date. The
band debuted the new line-up at the Forest Gate centre on 26.03.82, alongside
the Mob and Rudimentary Peni. More concerts followed, a highlight of which
was their performance at the Centro Iberico, in West London with the Mob
on 01.08.82. The band was starting to seriously gel and potent new material
such as 'David's Star', 'Charles Manson/g' and 'Kiss of Death' was being
developed.
"Twilight,
daylight of your life, spend your young days working for, then you are
put out to grass, try and force me I will shout, my silence price is not
too high, 'cos freedom's not too much to ask".'Decadence'.
However,
after a concert at the Moonlight club in West Hampstead, London, with
Rudimentary Peni and Riot/Clone on the 11.09.82, founder member Alien
left the band, feeling that they had achieved all they set out to do,
with Drummer Steve Pegrum leaving not long after also. The band did continue
on with other members until 1985 (namely Vocalist Mark Bristow whom had
sung briefly with The Sinyx before, as well as The Sickies, and Donald
Frame on Drums whom had played with Anorexic Dread) and played a few concerts,
but essentially this marked the death-knell of the band and the end of
The Sinyx.
The final number
to be written by the 1982 line up - 'Blasphemer' - the groups most intense
song to date, would indicate the future direction to be taken by the band,
and would form the basis of Auntie's new group, 'Sonic Violence', whom
would go on to much critical acclaim in the late 1980's/early 1990's.
Auntie formed Sonic Violence with Andy Whiting (Whom also contained Murray
Blake ex-Kronstadt Uprising). Alien formed the Provisional Southend Poetry
Group with local colleague Ian Fry, before moving into writing. Vints
went on to play in The Nihilist Corps and K-Mosaic, Filf went on to play
in The Kronstadt Uprising, John Edwards played Bass in Allegiance To No
One / The Cat Jugglers and Steve Pegrum continued with The Kronstadt Uprising
before forming The Ghosts of Lovers and The Hearts of Darkness. Paul Brunt
is currently MIA.
The Sinyx's most
active and creative period was 1980 - 1982 however, and they certainly
earned themselves a key position in the second wave of punk, and 'The
Plague', as heard on the CD 'Anti-State' (OVER 105 VPCD), gives some indication
of their intense, hypnotic sound.
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